This collection of essential records represents the impact Canadian musicians have had on our country and on the world
Canada’s music is iconic. From Neil and Joni to Glenn and Alanis, our country has produced some of history’s most significant singers, bandleaders and composers – and that’s no secret. So when The Globe and Mail’s arts team sat down to compile our picks for the 101 most essential Canadian albums, we knew we wanted to take a different approach. Instead of just looking at the best, most well-known albums from Canadian artists, we wanted to put together a collection of music that not only represents the impact our musicians have had on the world, but represents our country as a whole.
We also knew that we’d need some help – and a plan. We reached out to a handful of the country’s top music and culture writers and asked them to submit their top 20 albums. Then we compiled those lists, tabulating which of the albums received the most ballots. Any album with more than three ballots was an automatic in on our final list; a team of Globe arts writers and editors then got to work filling in the gaps. Over the next five months, across seemingly endless chats in multiple slack channels, email chains, video calls and meetings, and with an eye to making sure the list was representative of the country’s musical diversity, we – slowly, surely, and with more than one heated debate – finalized the list.
From Indigenous artists to jazz musicians to Francophone rock to indie-rock stars, these are the 101 albums that, we believe, tell a story about Canada.
Which of our picks would you choose as your Top 5 Canadian albums? Click “Add to my Top 5” on your picks below, then click the plus sign beside “My Top 5.” You’ll then be able to download a list of your faves to share.
The Goldberg Variations
Glenn Gould
1956 and 1982
Why did pianist Glenn Gould wear fingerless gloves? All the better to poke the eyes of the classical-music fuddy-duddies. The maverick virtuoso recorded the first of his 65 albums, Bach: Goldberg Variations, against the wishes of his label, Columbia Records. The choice was right on: Time magazine said the dazzling performance was “Bach as the old master himself must have played.” Gould’s reprise recording 26 years later was introspective and less flashy. The iconoclast believed the only reason to do something was to do it differently, and no one did it differently better than him.
Read the full list of albums at TheGlobeandMail.com