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The very combination of these two concertos was willful, still more Gould’s playing of Mozart, with its extra embellishments and even new counter-melodies in the piano part. What seemed revolutionary at the time has become a matter of course in today’s age of “historical performance practice.” In contrast, the Schoenberg Concerto sounded, in Gould’s hands, almost as familiar as Mozart …

Mozart: Piano Concerto No. 24 in C Minor, K. 491 & Schoenberg: Piano Concerto, Op. 42

Released: 1962

Disc 1

Concerto for Piano and Orchestra No. 24 in C minor, K.491: I. Allegro
Concerto for Piano and Orchestra No. 24 in C minor, K.491: II. Larghetto
Concerto for Piano and Orchestra No. 24 in C minor, K.491: III. {Allegretto
Concerto for Piano and Orchestra, Op. 42: Andante
Concerto for Piano and Orchestra, Op. 42: Molto allegro (Bar 176
Concerto for Piano and Orchestra, Op. 42: Adagio {Bar 264
Concerto for Piano and Orchestra, Op. 42: Giocoso (Moderato) {bar 329

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